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singedsun: cate blanchett in a pink suit and sunglasses (Default)
singedsun

singedsun

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AKA: cherith, thesunsaid
Discord: singedsun#1069

What you can expect
This journal is primarily about my life, music & the occasional fandom diversion (mostly: Critical Role & Dragon Age). I do not have any particular friending policy; I welcome new friends and will usually add back. If you know me from elsewhere, feel free to send me a message. Thanks for stopping by. <3

Secondary Fanworks
You may podfic, MST3K, or create secondary fanwork of any fanwork I have posted. Please include a link to my work and let me know where you've posted yours. Please do not archive elsewhere.

singedsun: artwork of Yasha Nydoorin from Critical Role by nil_elk on twitter, character played by Ashley Johnson (yasha)
 Recently finished the graphic novel, Somna (link to Goodreads).

An image of a woman laying down, her face is is the most visible thing and she looks frightened a dark presence is around her 

It's a story of witch burnings focused on our main character, Ingrid. She's married to Roland, the town's bailiff and their chief witch hunter. Ingrid is desperate for more out of her husband, wanting a more intimate relationship which he currently seems unwilling or afraid of giving her. In her dreams then, something comes to her, eager to give her what she's craving. 

Ingrid has a friend in town, Maja, who keeps her company in the woods during the burnings. She wants to be far away, despite Roland's invites to accompany him to the witch burnings in town. Maja is married, but is a little wild herself and has some interest in another man who's wife was recently declared a witch and burned. 

Still, at night, this creature comes to her. It tempts her, taunts her, and desperate as she is for touch and intimacy, she refuses to give in to him.

If you've never seen art by Becky Cloonan or Tula Lotay, you are definitely missing out. The beginning of each issue in this graphic novel have several pages of Tula's art which is quite realistic despite it's dream-like quality. Her faces are expressive and gorgeous. Becky's art takes up the majority of the other pages, and everything is just so crisp and emotive and makes it easy to understand what's happening in every panel. 

If Salem style stories are your thing, this one is definitely worth your time. Just beware that the adult nature of this story is going to back it good for high shelves if you buy it physically. 

singedsun: the white witch from the chronicles of narnia movies, tilda swinton (jadzia)
Hey friends. So, in this Day #9 of the Snowflake Challenge (which I am definitely behind on) we're supposed to rec a fandom people might not know about. Okay and here's the thing. I WOULD LOVE to tell you all about the Dracula TV show from 2013. Especially now in these days of Moffat & Gatiss attempt that swung and missed pretty big. If you want a dramatically written, beautifully lit, cinematicly shot version of Dracula with very pretty people and very little substance, this TV show has you covered BIG TIME. It's no masterpiece, but it's beautiful and very gay and deserves more than what it was given. I wrote more about it here though, and so I recommend you go back and read that. It also has my second favorite TV show people don't seem to know about, Being Erica. Which is also on my always asks for Yuletide. So, give those a shot.

Promotional banner depicting a snow-covered green bench in a snowy park. Text: Snowflake Challenge: 1-31 January.


BUT if you're looking for something a little different, let me offer you this very interesting comic which is likely about to be everyone's buzzy horror/fantasy Netflix show.

LOCKE & KEY

You might have seen that this is about to become a Netflix series, and boy howdy am I excited for it. Locke and Key is a comic series from 2008-2010 written by Joe Hill (Stephen King's son and horror writer of a variety of things including Into the Tall Grass and Nos4a2) and illustrated by Gabriel Rodriguez (which earned him an Eisner Award nomination). The series came out in six acts (mini-series), each containing six issues. The first act was called Welcome to Lovecraft. You can buy the entire collection now as an omnibus. The whole six-act series is also available as an audiobook from Audible, performed like a radio play with foley work and a variety of voice actors (including Tatiana Maslany & Kate Mulgrew). I listened to it last year and I thought it was really, really well done. The upcoming Netflix series isn't it's first attempt at live action though. There was a movie deal early on, which got dropped and then FOX picked up the series and shot a pilot. When that was cancelled Hulu tried to pick it up and now it's in the hands of Netflix with Joe Hill rightfully on as writer/producer.

This is very strongly a horror series, with a lot of twists and turns. At it's core, it's about three kids (Tyler, Kinsey & Bode Locke) who move back to the boyhood home of their father after he passes away, leaving them the family estate, Keyhouse. It's an oddly large house in the backwoods of Massachusetts and the kids are not excited about living there. However, the kids learn that mysteries abound in this new strange house as they discover strange keys which open much more than just doors.

I don't want to say too much about the plot other than there's a lot of large puzzle pieces to how the story comes together. It's not exactly linear or chronological. It's deeply engaging though and it'll keep you on the edge of your seat. Bode Locke, the youngest of the Locke siblings will absolutely steal your heart and he's probably the best and the worst of them at all times.

If you're looking for shipping potential, you'll find it, especially as you meet Dodge who befriends Tyler and Kinsey at school. He spends a good deal of time at the Locke home and shares a lot of their exploits in looking for keys and discovering exactly how they work. There are others, but I really don't want to give all the characters away. Mostly though, this is a group piece, it's a family story and that's where 99% of the charm in this story comes from.

Yes, as the name of the first act might suggest, there is a (small) affiliation with the Lovecraftian mythos but it is very small and barely worth mentioning. If you're looking for a horror series, something with a touch of the fantastic, this is definitely worth checking out. While the characters at the center of the story are mostly children/teens, the subject lines can be very adult.

CW: blood, violence, death, depression



If you have a paid subscription with Comixology, the series is part of the Unlimited collection to read for free, here. If you're on Audible, the entire series is here in a 13 hour audio drama. Or find the comics wherever your local shops are, most good shops carry the collection for at least Welcome to Lovecraft. I'm sure a lot of places will be digging their copies out to sell as soon as the Netflix show airs too.

singedsun: cate blanchett in a pink suit and sunglasses (Default)
I mentioned in my previous post that I've already watched all of Glow season 3 and Mindhunter season 2 in the time I've been home recovering. I don't have too much to say about either, other than that I really liked them both. I thought they were strong additions, although I'll admit that the choice for Mindhunter to more closely follow a single case for the majority of the season, leaving off a lot of the interviews like they did in the first season made it a little of a slower watch (for me) but I still enjoyed it. I'm also still getting a kick out of the small injects their doing of BTK, given the time period, and the link to the research that they're doing as they season progresses. I also like that they're picking cases that don't have these clear cut answers, so you get to see the application of their research and procedures, but that especially due to the time, there's no good way to have all the answers.

I've also caught up on a few movies that I hadn't been able to watch last year. I've seen Aquaman -- which I quite enjoyed. I really liked Jason Momoa's take on the character and despite the uncanny valley that is Amber Heard's wig throughout the movie, I liked it. I think DC does such a better job when they lay back from the super angsty hero take and have a bit of fun with the characters, it's certainly resulting in movies like Wonder Woman and Aquaman which are infinitely more fun to watch than Batman vs. Superman was.

I watched The Favourite, which I found... both interesting if a little boring. It was slower paced than I would've liked and without a satisfying ending. But I can see why it got such high praise for the acting and costumes because it was a beautiful watch with compelling characters. I don't know as much as I would like about Queen Anne's reign, but for what it was, it was enjoyable.

I've also just finished watching First Man, which while I finished it, I found boring af. Damien Chazelle managed to make Ryan Gosling a snooze to watch, and I get that's in part due to his role as Neil Armstrong. Of all the astronauts, Neil was not the interesting one, he was just the most reliable one. So centering the movie around him, makes it slow and disconnected and ...boring. I know not every movie about the beginning of the space program isn't going to be as exciting or as good as THe Right Stuff, or as compelling as Hidden Figures, but I'm not surprised at all this movie did so poorly in the theater. Mostly I kept it on as background noise tonight, so I don't feel like I wasted time specifically, but I'm glad I didn't actually spend money trying to see this in the theater. As an aside, I know a lot of people enjoy Claire Foy as an actress, I've only watched her in one thing before this and I can say that neither that or this has sold me on her. I really dislike her affected American accent in this but given how flat Ryan Gosling is playing Neil Armstrong, I'm willing to blame my dislike of her in this on the director/direction they had.

On my dad's recommendation during his own recent hospital stay, I picked up watching the show Black Summer on Netflix. From what he told me, it was an interesting and kind of scary, but low budget zombie show. Knowing it was low budget going in has helped me kind of keep my expectations low, but I'm about halfway through the first (and currently only) season so far and it's hard to keep with it. For one, I don't find any of the characters particularly compelling and for two, I really don't understand the sort of chapter-esque title breaks every few scenes. It makes it play out slower, especially when after the title break you continue following the same character/story line. Like I'm not sure what purpose they serve other than to slow down the action, which is NOT what I want in a zombie show. I know it's based on Z Nation, which I haven't watched or read, so I don't know if that's an aspect that's carried over from that or not.

Yesterday I finally picked up my copy of The Adventure Zone: Murder on the Rockport Limited graphic novel. It's a pretty quick read, and I thoroughly enjoyed it (as I expected I would). I love Carey Pietsch's artwork for these books and I like the way they've chosen to insert Griffin's GM asides. It definitely feels accurate to the podcast.

Today, I picked up Final Fantasy XV and started playing it for the first time since I got it for Christmas like two years ago. It's different that the Final Fantasy games I'm so used to, but I do like the way combat has changed. The story feels a little underwhelming, but what FF game doesn't leave something to be desired in the plot, really. It's a fun way to pass time, but I'm trying not to get too wrapped up in it for hours and hours at a time. I'm having to learn how to manage my time, especially since I get worn out so easily right now and I don't want to spend it all on video games. I might pick up another game at some point, a friend has been encouraging to pick up Hollow Knight and from what I've seen of that, it might be nice to have something that's kind of level based instead of open world to switch out with every day.