Trad Wife and Roadside Picnic
This was fun and a quick read. It leaned harder on the monsterfucker element than I expected, and where I was expecting mostly psychological horror with elements of the supernatural, no, the supernatural stuff was front and center. I appreciated how our tradwife has depths that she is progessively less able to keep hidden, and I was just as mad at the past and present men in her life as the book wanted me to be. Her husband is just the woooooorst.
That said, ( spoilers )
I also felt that the degree to which she's consciously, actively deceiving herself about what's happening with her pregnancy was just kind of silly. I would have liked subtler writing there.
--
Roadside Picnic (1972) by the Strugatsky Brothers. A man makes a living sneaking into the "Zone," a restricted area full of dangers and treasure left by a one-time visit by aliens.
I completely coincidentally got interested in this and the adaptation Stalker almost simultaneously, without realizing they were related. In both cases I went in with, it turned out, unfounded (but different!) expectations of what I was going to get. Stalker isn't really a cosmic horror movie, alas, although the bones of one are there, and meanwhile this isn't very interested in the Zone at all, at least not as a setting, which if nothing else is a big contrast from the movie! I can see why people say it's a very loose adaptation.
This novel is actually about the daily life of a guy trying to steal forbidden alien artifacts and sell them to the black market, his dealings with various shady characters, and how hard this all is on his family. There are a lot of themes of hopelessness and corruption. It feels very 70s in its mundane focus with Big SF Ideas relegated to the background.
Unfortunately I was super uninterested in most of this. The grimy details of social corruption as seen through our lead's gross sexist lens: not what I came for! I came here for the weird horror shit, the "hell slime" that disintegrates your bones and turns your limbs into rubber, the gravity traps that crush you flat, and the various other hazards of the Zone, which we get only at the very beginning and very end.
I can definitely see why it's a classic: it generally accomplishes what it's trying to do, and it treats its characters and their reality with total unironic seriousness. But it was not what I wanted, alas.
Movie review: The Miseducation of Cameron Post
Last night I watched The Miseduation of Cameron Post, a film about an 11th grader whose aunt sends her away to a Christian conversion camp after she gets caught hooking up with a female friend. The film is set in 1993.
It’s a heartfelt film about Cameron’s resistance to being changed and her developing identity (Asked early on at camp when she started to think of herself as a homosexual, Cameron asserts “I don’t think of myself as a homosexual. I don’t think of myself as anything, really.”), but it doesn’t differ meaningfully from other conversion camp films I’ve seen. Boy Erased made me cry and this one didn’t, if that’s worth anything.
The film swings between the current moment, and flashbacks to Cameron’s relationship with Coley, the friend with whom she was caught, in ways that both show us the line of Cameron’s thoughts and also become somewhat confusing. It was unclear to me for much of the film what actually happened that resulted in Cameron getting caught. Both that experience and the letter Coley sends Cameron later make it seem like that was their first hook-up, but the flashback sections suggest they had been together several times before, which makes it unclear of those are actual memories or just Cameron’s fantasies of what could have happened (further complicated by a couple of actual dream sequences). It was not helped by the actors frequently dropping into whispers and mumbling; I missed entire exchanges because I couldn’t hear.
Either of Cameron’s two buddies at camp—Jane, a Black girl who grew up on a free love commune but whose mother recently married a conservative man whose decision it was to send Jane away (and who has been at this camp for over a year); or Adam, a Lakota two-spirit whose father recently got into politics, converted to Christianity, and demanded his child follow suit—would have made for more interesting protagonists. Cameron comes off pretty nondescript, which is exacerbated by how internalized she is, rarely speaking or expressing herself. It’s not until the end of the film where she really starts saying anything.
One thing The Miseducation of Cameron Post does do differently is that the staff at the camp lack the total, violent conviction of other conversion camp narratives I’ve seen. Some staff have that attitude, but others visibly doubt if they’re doing the right thing, particularly after some exchanges with the campers (and I maintain there’s a scene at the end where one staff member chooses to be passive in a way that helps Cameron and her pals, when he could have done otherwise). This adds an interesting tension, where it’s not just the campers asking themselves if what’s going on here is right or wrong.
The ending is pretty open in a way that’s not totally satisfying (one of those “Okay…but what now?” kind of endings) but it is a sweet final moment and it’s so easy to root for Cam and her friends, even though we just got a reminder of how little the rest of society cares about what’s happening to the kids in these camps.
This film is based off the book of the same name by Emily M. Danforth, which I haven’t read. Turns out it’s a bit of a chunker, at 500 pages, and reviews say Cameron doesn’t go to camp until halfway through, with the first 250 pages just backstory on her relationship with Coley. The film cuts out almost all of this to focus on the conversation camp narrative, which I think is the right choice, because it’s where the real story is.
On the whole, I enjoyed it, but it doesn’t stand out to me in any way.
WhumpEx Initial Pinch Hits - Due June 2nd at 8PM PST
Event Link:
Pinch Hit Link: Current Pinch Hit Post
Due Date: June 2nd at 8PM PST
Assignment Requirements
PH 1 - SK8 the Infinity (Anime), Zenless Zone Zero (Video Game), Biohazard | Resident Evil (Gameverse)
PH 2 - Fallout (TV 2024), Street Fighter, Young Sherlock (TV 2026), Biohazard | Resident Evil (Gameverse)
PH 3 - [Art Opt-In] Raffles - E. W. Hornung, とんがり帽子のアトリエ | Tongari Boushi no Atelier | Witch Hat Atelier (Manga), DCU (Comics)
PH 4 - [Art Opt-In] 镇魂 | Guardian (TV 2018), 镇魂 | Guardian - priest, 绅探 | Detective L (TV)
PH 5 - [Art Opt-In] Code Geass, Gachiakuta (Anime), 鬼滅の刃 | Demon Slayer: Kimetsu no Yaiba (Anime & Manga), Shingeki no Kyojin | Attack on Titan, Twisted-Wonderland (Video Game)
PH 7 - The Mars House - Natasha Pulley, Gentlemen of Uncertain Fortune - K. J. Charles, Lucky Bounce - Cait Nary, Time to Shine - Rachel Reid, The Will Darling Adventures - K. J. Charles
PH 8 - [Art Opt-In] One Piece (Anime & Manga)
PH 9 - Emily Wilde - Heather Fawcett
PH 10 - DCU (Comics)
PH 11 - [Art Opt-In] Dishonored (Video Games), Twin Peaks (TV 1990), Thief (Looking Glass Studios & Ion Storm Video Games 1998-2004), The Adventures of Buckaroo Banzai Across The 8th Dimension (1984)
PH 12 - [Art Opt-In] Critical Role: Exandria (Web Series), Dimension 20 (Web Series), Elder Scrolls V: Skyrim
PH 13 - Slow Horses (TV)
PH 14 - 괴담에 떨어져도 출근을 해야 하는구나 - 백덕수 | Even If I Fall Into a Ghost Story I Still Have to Go to Work - Baek Deoksoo, 전지적 독자 시점 - 싱숑 | Omniscient Reader - Sing-Shong, 呪術廻戦 | Jujutsu Kaisen (Anime & Manga)
PH 16 - Star Wars - All Media Types, Star Wars Sequel Trilogy
PH 17 - Young Sherlock (TV 2026), James Bond (Craig Movies), The Avengers (Marvel Movies)
For more details/to claim, view the pinch hit post.
What a week, huh? / Captain, it's Wednesday
On the other hand, work has been a bit crazy this week, but my contract will be over in 2 weeks, so... I'm trying to calm down and just try to get everything done.
And now I'm off to study some German because I've got some exams coming up. Nothing too serious, but I'd like to feel more or less confident with my German level. First one's on 14 May so I still have some time to revise. Hope everyone's having a good day!
March and April 2026 Books
Previous books posts:
Books 1-7 (January)
Books 8-14 (February)
( 15. No Gods, No Monsters by Cadwell Turnbull - 2 stars )
( 16. An African History of Africa by Zeinab Badawi - 3.5 stars )
( 17. The Lies of the Ajungo by Moses Ote Utomi - 4.5 stars )
( 18. The Killing Moon by N.K. Jemisin - 3.5 stars )
( 19. The Monster by Seth Dickinson - 3 stars )
( 20. Tell Me an Ending by Jo Harkin - 3 stars )
( 21. Tom Lake by Ann Patchett - 5 stars )
( 22. J is for Justice by Sue Grafton - 4 stars )
( 23. The Curator by Owen King - 2.5 stars )
( 24. Five Broken Blades by Mai Corland - 2 stars )
( 25. Mad Honey by Jodi Picoult and Jennifer Finney Boylan - 2 stars (Spoilers for pretty much all of it) )
Fifth of the fifth.
It's for the best that I didn't go for the obvious Kinsey scale joke when she told her trainer she was straight. "At least a Kinsey two," is what I'd have said if I'd thought she'd have gotten it.
In other news, I only used a little of the bottle of prosecco I bought for the springtime asparagus-ramp risotto, and the pressure of the remaining bubbles had the stopper knock off in the fridge. I suppose the best solution is simply to drink it.
Wrap-Up for Spring Round
Reveals doesn't mean you should stop reading and commenting, so we hope you continue to enjoy this round's drabbles.
The Harm Behind the Cards - STOP Buying AI Decks
There's a small section where the video goes over how many AI decks there are now, but 90% is general information on gen AI and the harms it causes, plus a useful guide on what you could maybe do to combat it.
into a bar 2026 promo
To join in, visit the community and sign up
How to play:
1. Pick a character, any character.
2. Pick one to six fandoms that you feel comfortable writing in. They cannot be the fandom that your character is from, or a fandom related to it. They can be related to one another if you choose, however.
You will receive a random character from one of the other fandoms to create a crossover fanwork. The fanwork must be one of the following:
- a story of at least 500 words
- a complete piece of art of a reasonable size (manips and graphics yes, banners and icon sets no)
- a vid of at least forty-five seconds
- a podfic, the text/script of which must be written specifically for this challenge, five minutes long OR five hundred words
- a comic that is at least one page and/or six panels
Further rules and examples at the community. Have fun :)
Is There Garlic On This Pizza?
Anonymous: In the CCGW intermission, we get a glimpse of Robert’s CV—apparently, in Romeo and Juliet he played both Romeo and Juliet at the same time, while Chris was listed as the director (later usurped). Do you have any thoughts or ideas about the story behind that?
Robert playing both Romeo and Juliet in the same production is one of my favourite details from Robert's CV; it's such a Robert thing to do. I love him. He should play every part in every play.
I'm actually working on a fic about the dual-Roberts Romeo and Juliet right now [I received this question while I was writing Adaptability], but the concept there is 'there are literally two Roberts', which seems unlikely to be the canonical way it played out! It might instead have been something like this:
- Chris casts himself as Romeo.
- Robert uses every tool at his disposal - complaining, attempting to ensure none of the society's actresses will be available on the night, arguing that casting two men as the lovers will show the progressiveness of the drama society - to get himself cast as Juliet.
- Perfect; Robert is now Juliet! He's in a lead role! He's satisfied.
- ...
- Is he satisfied?
- Now that he sits down and counts, Romeo does have slightly more lines than Juliet. There's a difference of seventy-five lines! That's almost fourteen percent of Juliet's lines! Surely Robert should be playing Romeo?
- Robert attempts to persuade Chris to switch roles. Chris, incredulous, refuses.
- Robert continues to complain. Chris threatens to take Juliet away from him.
- Fine. Robert will have to take matters into his own hands. If he drugs Chris before the performance, just a little innocuous drugging, he can step into the role of Romeo, where he belongs.
- One small downside: nobody else has rehearsed the role of Juliet, so Robert is going to have to play her as well.
- Actually, that's not a downside at all. This is going to be the greatest performance of Romeo and Juliet ever seen.
There is one detail from Robert's CV that this concept doesn't account for: he lists the venue for his Romeo and Juliet production as 'France?', question mark and all. How does Robert end up putting on this play while uncertain of what country he's in? Unless he accidentally drugs himself slightly in the process of knocking Chris out, and then Chris regains consciousness before the play and, furious, chases Robert onto the Eurostar.
Anonymous: Who would be the worst member of Cornley for Robert to be bodyswapped with? I am imagining shenanigans galore for every possibility!!!
I feel Sandra is simultaneously the worst and the best option!
Robert rather enjoys being in Sandra’s body. Does a lot of strutting and posing, comments that he can see why Sandra’s such a fan of it.
Sandra hates being Robert, right up until she realises that, if she’s in someone else’s body, she can have sex with herself. Robert takes up the suggestion with great enthusiasm. They make very little effort to hide what they’re up to from the rest of the society, who are deeply unhappy about this.
Anonymous: do you think robert would enjoy being a vampire?
Robert Grove would have a great time hamming it up as a vampire. He’d wear a cape. He’d hiss. He’d insist on the Cornley Drama Society putting on more vampire-centric plays, largely because he’s now the obvious choice to play vampiric characters.
There is not a chance Robert is nobly going to abstain from drinking human blood. He would attack strangers if he had to, but he’s a coward who wants to avoid serious physical conflict, so he’d try to persuade people to let him drink their blood voluntarily.
This works out fine at first; Sandra is happy to be a sexy vampiric victim! But then Sandra decides she’d prefer to be a sexy vampire, and Robert immediately agrees to turn her. After all, if they’re going to be putting on more vampire plays, it’ll be good to have someone who can play female vampires as well.
So now there are two vampires in the Cornley Drama Society, and Robert’s main source of blood is no longer an option.
Max and Annie agree to let Sandra feed from them: Max a little nervously, and Annie with surprising enthusiasm. Vanessa, very nervously, lets Robert feed from her; she’d really prefer not to have her blood drunk, but she’s worried about Robert not having enough sustenance and she doesn’t entirely know how to say no. Chris, having repeatedly insisted there’s not a chance that Robert will get any of his blood, eventually gives in because he’s worried about Vanessa and wants to ease the burden on her. (This leads to a very confusing sexual awakening for Chris, naturally.)
Also, hey, while I'm posting things from Tumblr, here's a video I took of the hopeful little meerkat I mentioned in this post! If you turn the sound on, you can hear the meerkat's tiny curious chirps and my charmed laughter.
The Feminine Horror of Shadow the Hedgehog
"Who will you become when you are told from birth that you exist for the consumption and control of others?"

